Monday, September 13, 2021

Two Birds and a Baby Moose

Taken in 2014, here are a few of my personal favorite animal portraits. From Denali, Alaska to Grahamsville, New York--ain't life grand? 




 

Wednesday, September 8, 2021

Plus ça change, plus c'est la même chose.

 Roughly translated, "What goes around comes around." Sifting through my archives in search of something else, I discovered these two photographs, one by Andy Warhol from 1958 and one by myself from 2014.

I know it's NPC these days, nonetheless I wish it were a case of great minds, but I think it is only a case of vague visual memory somewhere in the ether.










Tuesday, August 31, 2021

Going Galapagos Way.

Going back to the Galapagos this week. Lot's of diving this time. Here are a few snaps from my last trip there. It's quite a place!!!!!!














 

Thursday, August 26, 2021

The Blog is Reinventing Itself, Refreshing itself, Regaining a Trajectory

 I'm very sad to say that Kurt Hoss passed away on April 27, 2018. He will be greatly missed, especially by me. I am retooling the site to reflect his loss so stay tuned. Below is one of his last cartoons.



Thursday, November 3, 2016

Is it Tiffany or Robin's Egg blue?

When you say  Hermes orange, or Tiffany blue,  does Kapoor black come to mind? British artist Anish Kapoor has secured the exclusive right to use the high-tech color "Vantablack", a color developed for military purposes. The pigment is so dark that it absorbs 99.96 percent of light making anything coated with it nearly invisible. I heard that the former Soviet Union went to great lengths during the Cold War to discover the formula.


Kapoor is not the first artist to secure rights to a color.  Think Yves Klein. Did you know you are supposed to pay a licensing fee to the estate if you use that color (International Klein Blue)? And how would you ever know if you strayed into Yves Klein territory when for instance doing a painting of a swimming pool with a myriad of blues?

What do you think of an artist monopolizing a color? Should brand identity stand in the way of artistic expression? Will Kapoor aggressively pursue his rights and sue fellow artists?  Will you be arrested by painting with Kapoor Black?

And what if you are using it as a commentary on Kapoor, or a reference to the military, or the nature and presence of a painting with the absence of color? Shouldn't that all be covered under freedom of expression and merit legal protection?

Tom Sachs comes to mind with his use of safety orange. It informs our understanding of his work. I love that he's thought about orange.

I think we are at the beginning of a large conversation. What do you think pink?

Friday, July 1, 2016

Pierrot Lunaire

I am finally gaining insight into my newest works in paper (The artist is always the last to know...).

As you know, they had the working title, Tropes but are clearly concurrent with Pierrot Lunaire by the Belgian writer, Albert Giraud.

Fables, tropes, and the absurd. Dreamlike, fractured, nocturnal. Stories that are told without telling coalesce into potent though uncertain relationships.
Within a theater of recurring figures and gestures, a disconcerted balance of undiscovered and ambiguous histories emerge as metatheatre — improvisation and invention, parody and burlesque a world of lunacy, deceit, disorder, and confusion.

In my Pierrot, man and animal trade body parts, morph into mists and smoke and touch each other in ambiguous spaces. With these tropes on the fabulous and fractured, all is possible.

Here's a preview:

Susan Shaw, A host of playful pranks
cotton, linen, trash pulp  2016



Susan Shaw, Linen spun of light
cotton, linen, trash pulp  2016


Susan Shaw, The fountain laughs in it's pool 
cotton, linen, wood, trash pulp  2016