A life, pocket cameras, and a studio practice.
Posting twice a week and sometimes more!
Tuesday, April 28, 2009
Oh, that question...
As you know, I've been away and will be off again this weekend for another week. I've been traveling in places short on cell reception and internet access. I actually had to make a call last week while standing in a swamp in two feet of muddy water. I used one eye for dialing, the other for tracking a few alligators who were lazing nearby. I'll blog as much as I can meanwhile and then I'll be back for a good long stay. Nice to be chatting with you again—I suffered from severe blogmissitis!
Continuing with our media thread, Stacey Williams-Ng is painting a new series in which the paintings are a response to the significance of social media, and in particular, to status updates. As we know all too well, status updates are a mainstay of social applications like Twitter and Facebook, answering the question “What are you doing right now?” The result is collaborative and democratic—everyone is visible, and equal.
In her heavily textured oil paintings, figures are seen performing mundane tasks, such as cooking pancakes or reading while other more quixotic pieces contain no explicit narrative other that the status update that inspired it, such as the peculiar “Rafiq A. Spring…the end of my winter of discontent or just the next pithy chapter?”
Susan Shaw is an internationally exhibited painter and photographer. Private and public collections include the Museum of Modern Art and the Metropolitan Museum of Art. Shaw is the recipient of two New York State Artist’s Fellowships and 2007/2009 residency fellowships at the Vermont Studio Center.
Kurt Hoss is a freelance photographer capturing the exuberance of
New York City for 35 years. A favorite project has been documenting life in south western Louisiana, culminating in two recent books, Going to Lafayette and Bosco Swamp.
Shaw and Hoss recently received an AVA gold award for video production, as producers of The Mermaid Parade.