Secret Language

Abstract painters always seem to talk about painting as language and the individuality of mark making. I have come to enjoy the secret coding of the walls and sidewalks of New York. These particular ones are clustered in Chelsea.

Au Natural Part 1

Being in Louisiana for a while has the effect of making one think about nature more than usual for a New Yorker. And when I spied this vine it made the usual connection to the work of Andy Goldsworthy.

I was also struck recently by a comment made by Cora Cohen when we were at the Joseph Beuys: Make the Secrets Productive exhibition currently at Pace Wildenstein. She reminded me of his idea of social sculpture as a gesamtkunstwerk. Whether that interaction is societal or political can depend on one's point of view. So is interacting with nature politically or automatically green? In my case, I am only a natural bystander, photographing things as I find them without any alterations as seen here, always looking for spots where nature mimics the man-made. In Andy Goldsworthy's case he does an active intervention via natural materials collected from the site. We are probably both descended from Beuys view of interaction although somewhat far afield.







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